Megan

Yes, I write under two names. But no matter the name, the story is always mine.

I discovered my first romance novel at the age of twelve in a bargain bin at the local five and dime. It involved swashbuckling pirates having grand adventures on the open sea, a heroine with a mind of her own, and a seriously mouthwatering, masterful hero who swept her away no matter how clever she was.

I was immediately smitten with romance and all the romantic themes I could get my hands on.

I had grand plans to star on Broadway – preferably in Evita, just like the great Patti LuPone. Sadly, my inability to wow audiences with my singing voice required a back up plan, so I launched myself into academics instead. This was not a good fit for someone who liked lounging about and reading books a lot more than dissecting them in classrooms, but it did allow me to live in England for half a decade, so I can’t complain.

Writing (and finishing!) my first book was a relief.  And actually publishing that book was one of the greatest thrills of my life.

Now I’m some 80 books in, I’m still a romance fanatic, and yes, I’m still plotting my Broadway debut.

If you’re new to my books, try starting here.


Megan

Are you going to write in [some other genre] or about [my favorite secondary character]?

Maybe.

Whether or not I write something depends on two things: if the story comes to me and if I have time to dig into it.

If I come up with an amazing story for something or someone, of course, I’ll try to find the time. Never say never!

What’s the story behind Come Home for Christmas, Cowboy?

Back when Jane Porter decided to start the publishing company that would become Tule, the Founding Authors ( CJ Carmichael Lilian Darcy, Jane and me) planned a trip to Montana to talk about this crazy idea. In the meantime, we all started working on our own projects. I started with this story. I’d written the whole first chapter and a little more by the time we met up in Montana, but once there we decided (it was CJ’s idea!) to focus our initial efforts on a series of novellas set at the Marietta rodeo. I didn’t write the rest of Come Home for Christmas, Cowboy until the fall of 2014. So while the story isn’t my first for Tule, that first chapter was!

I don’t understand the family in Once More with Feeling. Who would act like that?

One of the things I wanted to explore in Once More With Feeling was this notion we all have that, if called, we’d be heroes. We’d race into the burning building, we’d jump in front of the bullet, we’d save the child. And what I love about this world is that when the big things come at us, yes, I believe we do the right thing more often than not.

But it’s the small things that trip us up. The everyday opportunities to stand up for each other and do the right thing no matter if it’s hard or if it makes people uncomfortable or if doing it makes our lives a little less easy than they would be if we did nothing. In my experience, most people go to great lengths to avoid conflict and tend to get angry at the person who refuses to go along with that, not necessarily the person who caused the conflict in the first place.

I completely understand if Sarah’s family upset you. They were supposed to upset you. They upset me, too.

More questions, more answers →

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It's not super new, but I'd still say all the same stuff on the subject of Frenemies:

And here are some other items of note: