Yes, I write under two names. But no matter the name, the story is always all mine.
I discovered my first romance novel at the age of twelve in a bargain bin at the local five and dime. It involved swashbuckling pirates having grand adventures on the open sea, a heroine with a mind of her own, and a seriously masterful hero who swept her away no matter how clever she was.
I was immediately smitten with romance and all the romantic themes I could get my hands on. (I still am.)
I had grand plans to star on Broadway – preferably in Evita, just like the great Patti LuPone. Sadly, my inability to wow audiences with my singing voice required a back up plan, so I launched myself into academics instead. This was not a good fit for someone who liked lounging about and reading books a lot more than dissecting them in classrooms, but it did allow me to live in England for half a decade, so I can’t complain.
Writing (and finishing!) my first book was a relief. And actually publishing that book was one of the greatest thrills of my life.
Now I’m some 95 books in, I’m still a romance fanatic, it still thrills me to see my books on shelves, and yes, I’m still plotting my Broadway debut.
If you’re new to my books, try starting here.
If you are looking for information for journalistic/editorial purposes, view my media kit.
Can you read my book/critique my chapter/edit these pages for me?
I would love to! I love doing all those things! But you probably don’t want to ask me.
The reality is that I don’t have much free time, and so I guard what little I have very carefully and use it to read for pleasure. And hang out with the people I love, of course! But mostly read. And while I’m sure your writing is fantastic, if you ask me to read it in a professional capacity, that’s not going to be pleasure read for me but a work thing that I’ll do during my working hours. I break my working hours down into the big blocks of writing I have to do daily, the support-the-writing stuff I also have to do daily, and then anything else that fits in order of priority.
My friends get priority. So do any requests from my editors. Or contests I might have agreed to judge. That means that unless I know you, and feel connected to you in some way (and honestly, even then) it’s going to take me a long, long time to get around to reading your work. And when I do, I tend not to pull my punches when I give feedback. At all.
You might want to ask someone else, is all I’m saying.
You grew up in New Jersey. Does that make Everyone Else’s Girl autobiographical?
Though my father does keep a whole lot of fish in the basement.
What does it mean that you’re a Tule Founding Author?
It means that when my great friend Jane Porter said she was thinking of starting a publishing company by authors and for authors and asked if I wanted to join the fun, I said yes. We got together with CJ Carmichael and Lilian Darcy in CJ’s cabin in Montana and plotted out a series of novellas centered around the fictional little town of Marietta, and yes, that was as much fun as it sounds!
I love pictures. I take a lot of them.
And here are some other items of note:
- Video: The Gregory Mantell Show, it's not super new, but I'd still say all the same stuff on the subject of Frenemies.
- Caitlin discusses The Return of the Di Sione Wife with BookTrib.
- Video: My Process (as Megan and Caitlin, on Conversations with Cupid)
- Podcast: Action and Emotion (as Megan, with my husband Jeff, on the Nerd Out podcast)
- On Shame and the Romance Heroine (as Caitlin, on Dear Author)
- Falling in love with the Rodeo (as Megan, a guest on Jane Porter's blog)